Manufacturing Creativity: Production, Performance, and Dissemination of K-pop
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Park, Gil-Sung | - |
dc.date.accessioned | 2021-09-06T11:08:49Z | - |
dc.date.available | 2021-09-06T11:08:49Z | - |
dc.date.created | 2021-06-15 | - |
dc.date.issued | 2013 | - |
dc.identifier.issn | 0023-3900 | - |
dc.identifier.uri | https://scholar.korea.ac.kr/handle/2021.sw.korea/106389 | - |
dc.description.abstract | The rise of K-pop (Korean pop) as a new global music genre has wrought theoretical turmoil within the field of cultural studies. This article argues that the global ascendance of K-pop can primarily be attributed to the passionate support of inter-Asian audiences. However, the actual production, performance, and dissemination of K-pop contents have little to do with the Asian pop-culture system. Although the manufacture of K-pop music and its performers depends on Korean talent and management, K-pop producers tend to rely heavily on the global music industries of North America and Europe for their creative content. The global dissemination of K-pop would not have been possible without global social network service (SNS) sites such as YouTube, Facebook, and Twitter-none of which are owned or operated by Asians. This article argues that the manufacturing of creativity in non-Western music, as illustrated by the case of Hallyu, involves three stages: globalization of creativity, localization of musical contents and performers, and global dissemination of the musical contents through social media. | - |
dc.language | English | - |
dc.language.iso | en | - |
dc.publisher | ACAD KOREAN STUDIES | - |
dc.subject | MUSIC | - |
dc.title | Manufacturing Creativity: Production, Performance, and Dissemination of K-pop | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | Park, Gil-Sung | - |
dc.identifier.scopusid | 2-s2.0-84893119926 | - |
dc.identifier.wosid | 000328802400002 | - |
dc.identifier.bibliographicCitation | KOREA JOURNAL, v.53, no.4, pp.14 - 33 | - |
dc.relation.isPartOf | KOREA JOURNAL | - |
dc.citation.title | KOREA JOURNAL | - |
dc.citation.volume | 53 | - |
dc.citation.number | 4 | - |
dc.citation.startPage | 14 | - |
dc.citation.endPage | 33 | - |
dc.type.rims | ART | - |
dc.type.docType | Article | - |
dc.identifier.kciid | ART001826254 | - |
dc.description.journalClass | 1 | - |
dc.description.journalRegisteredClass | ahci | - |
dc.description.journalRegisteredClass | scopus | - |
dc.description.journalRegisteredClass | kci | - |
dc.relation.journalResearchArea | Asian Studies | - |
dc.relation.journalWebOfScienceCategory | Asian Studies | - |
dc.subject.keywordPlus | MUSIC | - |
dc.subject.keywordAuthor | K-pop (Korean pop) | - |
dc.subject.keywordAuthor | Hallyu | - |
dc.subject.keywordAuthor | creativity | - |
dc.subject.keywordAuthor | music industry | - |
dc.subject.keywordAuthor | globalization | - |
dc.subject.keywordAuthor | localization | - |
dc.subject.keywordAuthor | social network service (SNS) sites | - |
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