폐허와 소생의 환시(幻視) - 후지모리 테루노부(藤森照信)의 학부 졸업설계(1971)에 관한 연구 -
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김현섭 | - |
dc.date.accessioned | 2021-09-07T01:21:19Z | - |
dc.date.available | 2021-09-07T01:21:19Z | - |
dc.date.created | 2021-06-17 | - |
dc.date.issued | 2012 | - |
dc.identifier.issn | 2733-6239 | - |
dc.identifier.uri | https://scholar.korea.ac.kr/handle/2021.sw.korea/109827 | - |
dc.description.abstract | This paper aims at researching the Japanese architect Terunobu Fujimori's (1946~) diploma design <Bridge: The Method of Ledoux for Giving Reality to Images through Illusion> (1971) and its relation with the present works, focusing on the scenario of 'City ruined->Nature reborn->Building reconstructed' and on Claude-Nicolas Ledoux's method of illusion. Fujimori's suggestion of totally ruining the existing city Sendai to solve pollution problems caused by its industrialization is a strong reaction to modern civilization. Yet his design of the machine-like bridge on the ruined city revealed a dilemma that he was still bound to the technology-oriented idea of the time. On the other hand, the reason for his adopting the concept of Ledoux's illusion is to give reality to the metaphoric scenario of ruin-rebirth-reconstruction. Now it looks certain that Fujimori continues this ruin & rebirth metaphor for his present design though often invisible, but the technotopic gesture of the Archigram-inspired bridge in the diploma project was rejected, with being dramatically satirized in case. And the concept of illusion was replaced by fantasy elements or a reference to surrealist paintings. In conclusion, this paper argues that the ruin & rebirth metaphor in Fujimori's architecture is a symbolic clue indicating a civilization after technological utopianism. | - |
dc.language | Korean | - |
dc.language.iso | ko | - |
dc.publisher | 대한건축학회 | - |
dc.title | 폐허와 소생의 환시(幻視) - 후지모리 테루노부(藤森照信)의 학부 졸업설계(1971)에 관한 연구 - | - |
dc.title.alternative | Illusion of Ruin and Rebirth - A Study on Terunobu Fujimori's Diploma Design (1971) - | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 김현섭 | - |
dc.identifier.bibliographicCitation | 대한건축학회논문집, v.28, no.09, pp.203 - 210 | - |
dc.relation.isPartOf | 대한건축학회논문집 | - |
dc.citation.title | 대한건축학회논문집 | - |
dc.citation.volume | 28 | - |
dc.citation.number | 09 | - |
dc.citation.startPage | 203 | - |
dc.citation.endPage | 210 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001700099 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Terunobu Fujimori | - |
dc.subject.keywordAuthor | Y&apos | - |
dc.subject.keywordAuthor | avant-garde | - |
dc.subject.keywordAuthor | Diploma Design | - |
dc.subject.keywordAuthor | Ruin | - |
dc.subject.keywordAuthor | Rebirth | - |
dc.subject.keywordAuthor | Illusion | - |
dc.subject.keywordAuthor | 후지모리 테루노부 (藤森照信) | - |
dc.subject.keywordAuthor | 야방-가르드 (野蛮ギャルド) | - |
dc.subject.keywordAuthor | 졸업설계 | - |
dc.subject.keywordAuthor | 폐허 | - |
dc.subject.keywordAuthor | 소생 | - |
dc.subject.keywordAuthor | 환시 | - |
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