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오염된 시인과 시 - 김수영 시의 아이러니와 현대성

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dc.contributor.author함돈균-
dc.date.accessioned2021-09-07T17:15:55Z-
dc.date.available2021-09-07T17:15:55Z-
dc.date.created2021-06-17-
dc.date.issued2011-
dc.identifier.issn1598-3501-
dc.identifier.urihttps://scholar.korea.ac.kr/handle/2021.sw.korea/113586-
dc.description.abstractThis study focuses on the irony of Kiimsooyoung's poem in the modernity. Acccording to M.Berman's view, the core of modernity is the irony which is a poet's split of desire in the crowd of people, for example, Ch.Baudlaire. He looks forward to light, woman, product and fashion in the city. He falls under the fashion and flux of crowd in the city. In spite of his desire, he criticizes them that the capital city produces. Bermans says, it's a irony of the modernity that any poet never avoid. It is first found out Yisang's irony. But it is a smack that Yisang did not recognize on oneself. Kimsooyoung recognizes modern poet's irony certainly. He went through bad historical expereance: a colony, a internal war(6.25), the tragic division of Korean peninsula, a dictatorship. He fully awares of inevitability of poet's pollution in his those days. He made his irony into poems. It is a core of his poems. 「The Rabbit(토끼)」 is difficult a poem to understand. But I understand this poem is made of a allegory, non symbol. The allegory of this poem is reflection of modern poet and poetry in the contamiated world. It is impossible that there is pure poet or pure poetic language. 「The White ant(白蟻)」 is also hard difficult to interprete. But I think that the poems show us a irony of the modern poet in 1950' in Korea. He engages in corrupt the world in 1950'. Kimsooyoung attached too much importance to the darkness which he regard as a tool to overcome corrupt world. 「The changed horizon(바뀌어진 지평선)」, 「A Water stove(水煖爐)」 show Kim's this poetic consciousness.-
dc.languageKorean-
dc.language.isoko-
dc.publisher한국문학이론과비평학회-
dc.title오염된 시인과 시 - 김수영 시의 아이러니와 현대성-
dc.title.alternativeThe Poet and Poetry contaminated by the world-
dc.typeArticle-
dc.contributor.affiliatedAuthor함돈균-
dc.identifier.bibliographicCitation한국문학이론과 비평, v.15, no.4, pp.139 - 166-
dc.relation.isPartOf한국문학이론과 비평-
dc.citation.title한국문학이론과 비평-
dc.citation.volume15-
dc.citation.number4-
dc.citation.startPage139-
dc.citation.endPage166-
dc.type.rimsART-
dc.identifier.kciidART001624776-
dc.description.journalClass2-
dc.description.journalRegisteredClasskci-
dc.subject.keywordAuthorKim sooyoung-
dc.subject.keywordAuthormodernity-
dc.subject.keywordAuthorirony-
dc.subject.keywordAuthormodern poetry-
dc.subject.keywordAuthorThe Rabbit-
dc.subject.keywordAuthor白蟻 The White ant-
dc.subject.keywordAuthor水煖爐 A Water stove-
dc.subject.keywordAuthorKim sooyoung-
dc.subject.keywordAuthormodernity-
dc.subject.keywordAuthorirony-
dc.subject.keywordAuthormodern poetry-
dc.subject.keywordAuthorThe Rabbit-
dc.subject.keywordAuthor白蟻 The White ant-
dc.subject.keywordAuthor水煖爐 A Water stove-
dc.subject.keywordAuthor김수영-
dc.subject.keywordAuthor현대성-
dc.subject.keywordAuthor아이러니-
dc.subject.keywordAuthor현대시-
dc.subject.keywordAuthor토끼-
dc.subject.keywordAuthor백의-
dc.subject.keywordAuthor수난로-
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