백석 시의 반복과 변주 연구

Abstract

This writing wishes to analyze rhythm of repetition and variation of Paik Suk’s poetry focusing on it’s function and role and investigates his poem consciousness and contents. This writing divide rhythm structure of Paik Suk’s poetry ‘repetition’ and ‘variation’ greatly, and classify ‘repetition’ as ‘repetition of word’, ‘repetition of sentence’, ‘repetition of phrase⋅clause’, and classify ‘variation’ as ‘parallel antithesis’, ‘chain antithesis’, ‘gradation antithesis’. The basicest rhythm structure of Paik Suk’s poetry is ‘repetition’. ‘Repetition’ means that equal word, sentence, phrase⋅clause are repeated. ‘Repetition’ is used to same concept with ‘recurrence’ here. Repetition of word, sentence, phrase⋅clause appears frequently in Paik Suk’s poetry. In Paik Suk’s poetry we can find ‘repetition of noun⋅pre-noun’ on 〈white birch(白樺〉, 〈ancient night(古夜)〉, and we can find ‘repetition of postpositional word’ on 〈campfire〉, 〈wooden vessel(木具)〉. In Paik Suk’s poetry we can find ‘repetition of ending of a word’ on 〈A rice mill〉, and we can find ‘repetition of sentence’ on 〈Daesan-dong(大山洞)〉, 〈Little intention at night rainfall(夜雨小懷)〉. In Paik Suk’s poetry we can find ‘repetition of phrase⋅clause’ on 〈Tongyeong(統營)〉. The most representative rhythm structure of ‘variation’ is ‘antithesis’ in Paik Suk’s poetry. ‘Antithesis’ is used to similar concept with ‘parallelism’, method that repeats equal surface structure by each unit but is inserted new component in the structure. ‘Parallel antithesis’, ‘chain antithesis’, ‘gradation antithesis’ appears frequently in Paik Suk’s poetry. In Paik Suk’s poetry we can find ‘parallel antithesis’ on 〈duck pony rabbit〉, 〈Dongnyobu((童尿賦)〉. In Paik Suk’s poetry we can find ‘chain antithesis’ on 〈Buddhist nun〉, 〈Jeogju castle(定州城)〉. In Paik Suk’s poetry we can find ‘gradation antithesis’ on 〈I and Natashia and white donkey〉, 〈South-Shinuiju Yudong Parksibong’s address(南新義州柳洞朴時逢方)〉.