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曹操 姦雄 形象의 起源과 變遷

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dc.contributor.author홍윤기-
dc.date.accessioned2021-12-27T08:40:19Z-
dc.date.available2021-12-27T08:40:19Z-
dc.date.created2021-08-31-
dc.date.issued2014-
dc.identifier.issn1229-3806-
dc.identifier.urihttps://scholar.korea.ac.kr/handle/2021.sw.korea/133343-
dc.description.abstract本稿的硏究目標如下: 一、對≪三國志演義≫裏出現的所有曹操“姦”與“雄”形象的變遷進行分析。二、考察曹操“姦雄”形象的起源與演變及完成。硏究對象原文是西晉陳壽≪三國志≫、南朝宋裴松之≪三國志注≫、元朝≪三國志平話≫、元末明初羅貫中≪三國志通俗演義≫、淸朝毛宗崗≪三國志演義≫五種。硏究意義在於本稿最初通過數値與統計的方式對曹操“姦雄”形象進行分析。得到的結論如下: 一、曹操形象是從“雄”的形象出發, 通過逆轉的逆轉往“姦”的形象演變。二、曹操“姦雄”形象的一些起源是裴松之注引用的≪曹瞞傳≫, 而且曹操“姦雄”形象是在羅貫中的構思下得到完成, 在毛宗崗的筆下獲得精練。-
dc.languageKorean-
dc.language.isoko-
dc.publisher고려대학교 중국학연구소-
dc.title曹操 姦雄 形象의 起源과 變遷-
dc.title.alternativeThe Origin and Evolution of Cao cao's Image as “Treacherous Hero”-
dc.typeArticle-
dc.contributor.affiliatedAuthor홍윤기-
dc.identifier.doi10.26585/chlab.2014..43.006-
dc.identifier.bibliographicCitation중국학논총, no.43, pp.145 - 170-
dc.relation.isPartOf중국학논총-
dc.citation.title중국학논총-
dc.citation.number43-
dc.citation.startPage145-
dc.citation.endPage170-
dc.type.rimsART-
dc.identifier.kciidART001854877-
dc.description.journalClass2-
dc.description.journalRegisteredClasskci-
dc.subject.keywordAuthor曹操、姦雄、三國志、羅貫中、三國志演義、三國志平話-
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