쉬즈모의 케임브리지 토포필리아와 낭만적 상상의 배경
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 장동천 | - |
dc.date.accessioned | 2021-12-27T09:41:06Z | - |
dc.date.available | 2021-12-27T09:41:06Z | - |
dc.date.created | 2021-08-31 | - |
dc.date.issued | 2014 | - |
dc.identifier.issn | 1226-4555 | - |
dc.identifier.uri | https://scholar.korea.ac.kr/handle/2021.sw.korea/133352 | - |
dc.description.abstract | 劍橋(Cambridge)賦予了徐志摩超越有形的、物質性故鄉的認同, 這是通過作者在理想與愛情受到挫折從而得到精神上的自由且這自由許給他精神上的彷徨而形成的。徐志摩精神上的彷徨又通過與支持他的那些英國知識分子的相遇更變得豐富多彩。他在彷徨中被劍橋的田園生活而深深的吸引住了, 因此他選擇了走文學家的道路。沉湎於英國田園主義式思想與生活的徐志摩所進行的精神上的愉快地彷徨則給他敞開了憧憬上一代浪漫主義文學的道路而不是當時流行的現代主義。對於這樣的他劍橋有時成了自然本身的同義詞, 有時對因現實的壓迫而苦惱的作者劍橋的意義則升格爲想象中的烏托邦。他雖然是中國人而對劍橋表露了獨特的“戀地情結(Topophilia)”之感, 通過他那充滿浪漫性修辭的劍橋戀地情結則讓讀者進入了更爲浪漫化的想象之世界。通過他的文學創作劍橋不再爲單純的、地理位置上的劍橋, 而成了文學性的劍橋, 或者進而被中國讀者詢喚爲“徐志摩的劍橋”。本論文將圍繞徐志摩以劍橋爲素材的詩與散文, 研究胚胎作者浪漫主義文學與自然主義理想的文化脈絡, 分析這些因素在作品中的所呈現的方式。尤其將試圖通過意味著“場所愛”的“戀地情結”之概念來解釋各個作品進而說明劍橋的場所性與徐志摩文學世界裏所存在的的內在關系。 | - |
dc.language | Korean | - |
dc.language.iso | ko | - |
dc.publisher | 중국어문연구회 | - |
dc.title | 쉬즈모의 케임브리지 토포필리아와 낭만적 상상의 배경 | - |
dc.title.alternative | Xu Zhimo's Cambridge Topophilia and Background of Romantic Imagination | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 장동천 | - |
dc.identifier.doi | 10.26586/chls.2014..64.012 | - |
dc.identifier.bibliographicCitation | 중국어문논총, no.64, pp.291 - 317 | - |
dc.relation.isPartOf | 중국어문논총 | - |
dc.citation.title | 중국어문논총 | - |
dc.citation.number | 64 | - |
dc.citation.startPage | 291 | - |
dc.citation.endPage | 317 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001903708 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 徐志摩 | - |
dc.subject.keywordAuthor | 劍橋(Cambridge) | - |
dc.subject.keywordAuthor | 戀地情結(Topophilia) | - |
dc.subject.keywordAuthor | 新月派 | - |
dc.subject.keywordAuthor | <再別康橋> | - |
dc.subject.keywordAuthor | <我所知道的康橋> | - |
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