元代 詩人 范梈의 詩論과 詩
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김준연 | - |
dc.date.accessioned | 2022-01-05T17:40:49Z | - |
dc.date.available | 2022-01-05T17:40:49Z | - |
dc.date.created | 2021-08-31 | - |
dc.date.issued | 2010 | - |
dc.identifier.issn | 1229-3806 | - |
dc.identifier.uri | https://scholar.korea.ac.kr/handle/2021.sw.korea/134510 | - |
dc.description.abstract | 元代中期是元詩的盛季, 從創作實踐到詩歌理論, 都呈現出彬彬之盛的局面, 最能代表元詩的特徵。以“虞楊范揭”主要是唱導詩法、詩格之說, 這是對唐代詩學的一種回復與規慕。例如, 他的詩格書≪木天禁語≫論詩倡“雅道”, 標擧篇法、句法等, 謂之“六關”, 其中“氣象”、“家數”等範疇所論的內容, 繼承了前人的說法, 作出了更爲深入的闡釋。范梈詩以歌行體爲最擅名, 他的詩集中歌行體詩占四分之一左右, 其豪放超邁, 類於唐詩人李白。在律詩方面, 范梈更近於杜甫, 尤其是五言律詩, 很有似近於杜詩五律那種沈鬱而凝鍊的風格。他是衆體兼備的詩人, 無論古體與近體或五言與七言, 都有一些人口膾炙的佳作名篇。范梈詩的主要題材, 除寄贈、唱和、送別等社交方面以外, 還有紀行、 詠懷、題畵、詠物等等。要之, 范梈是元代典型的詩人, 也可以說, “中元四傑”中的佼佼者。這四大家爲核心的中期詩人中, 范梈是頗有特色的一位. 范梈論詩, | - |
dc.language | Korean | - |
dc.language.iso | ko | - |
dc.publisher | 고려대학교 중국학연구소 | - |
dc.title | 元代 詩人 范梈의 詩論과 詩 | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 김준연 | - |
dc.identifier.doi | 10.26585/chlab.2010..27.011 | - |
dc.identifier.bibliographicCitation | 중국학논총, no.27, pp.231 - 257 | - |
dc.relation.isPartOf | 중국학논총 | - |
dc.citation.title | 중국학논총 | - |
dc.citation.number | 27 | - |
dc.citation.startPage | 231 | - |
dc.citation.endPage | 257 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001422135 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.description.journalRegisteredClass | other | - |
dc.subject.keywordAuthor | 范梈、元詩四大家、治世之音、雅正、宗唐、豪放、沈鬱 | - |
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