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山田詠美論─ 「ベッドタイムアイズ」以前の女性像の特徴と変遷を中心に ─Characteristics and Changes in Female Images in Yamada Eimi's Manga Works

Other Titles
Characteristics and Changes in Female Images in Yamada Eimi's Manga Works
Authors
스기모토쇼고
Issue Date
2021
Publisher
한국일본학회
Keywords
.; Bedtime Eyes; Female Image; Gal; Shojo; Yamada Eimi; 갸루; 베드타임 아이즈; 소녀; 야마다에이미; 여성상
Citation
일본학보, no.126, pp.167 - 189
Indexed
KCI
Journal Title
일본학보
Number
126
Start Page
167
End Page
189
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/138740
DOI
10.15532/kaja.2021.02.126.167
ISSN
1225-1453
Abstract
Prior to becoming a novelist, Yamada Eimi worked for several years as a manga artist under her real name, Yamada Futaba. There is no doubt that she drew a great deal of inspiration, and experience from her former career as a manga artist. The present paper examines the characteristics and changes in the representation of female character in Yamada Futaba’s manga works, especially focusing on those who are in love with African-American men, including an Afro-Japanese man. When Futaba made her debut in the late 1970s, a new image of a young woman called Gal emerged. In contrast to the more traditional representation of a young girl called Shojo, Gal had a strong sexual connotation, and mass media often reported that Gals had sexual relationships with several African-American men in Roppongi and Yokosuka. Paying attention to such environment with young women in the late 1970s and early 1980s, this paper analyzes how the images of Gal and Shojo were combined and contrasted in Yamada Futaba’s manga works, such as Yokosuka Freaky, Memories of You, and Afro Juice. In addition, the continuities and differences in her manga and novel works, especially her debut novel, Bedtime Eyes were also clarified conclusively in this study.
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College of Liberal Arts > Department of Japanese Language and Literature > 1. Journal Articles

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