인젤 홈브로이히 미술관에 나타난 장소, 파빌리온, 예술의 특성과 의미 - 튜름, 호헤 갤러리, 라브린트를 중심으로 -

Abstract

Museum Insel Hombroich located in Neuss, Germany is renowned for harmony between hermit-like museum pavilions and tranquil natural environment of Hombroich Island. However, there are specific and elaborate methods of how to translate the existing placeness into pavilion designs as well as how to create unique art exhibition spaces. Main purpose of the study is to examine the spatialization process of place characteristics, the pavilion buildings’ multiple roles and deeper meaning of art. In chapter 2, the philosophy of the founder, Karl Heinrich Müller and the placeness of the site were studied. In chapter 3, the plastic art of the sculptor Erwin Heerich who designed 11 pavilions and major subjects in pavilion design were researched. Based on the study, it is found that there are several significant elements in the whole design process: reinforcement of the existing placeness, geometrical self-completion of pavilions, phenomena of inner spaces, and relationship between space and art. In chapter 4, three case pavilions (Turm, Hohe Galerie and Labyrinth) that can represent different categories were thoroughly studied by using four analytical elements. From the case study result, it is concluded that Museum Insel Hombroich’s art exhibition is contained within the re-structured and spatially phenomenonized nature. Therefore, the final art world is beyond the conventional art and could be called ‘meta-art’ in which human, art and nature are fully integrated. Ultimate goal of the museum is to generate a profound experience of here and now. Museum Insel Hombroich fundamentally questions the fixed notion of art as well as the museum.