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슬프지만 아름다운; 시각 예술의 미적 판단과 정서 평가에 대한 뇌 반응Sad but beautiful; Brain responses to aesthetic judgment and emotion appraisal of visual art

Other Titles
Sad but beautiful; Brain responses to aesthetic judgment and emotion appraisal of visual art
Authors
김지선신은혜강한모김채연
Issue Date
2015
Publisher
한국인지및생물심리학회
Keywords
시각 예술; 감상; 미적 판단; 정서 평가; 기능적자기공명영상; 신경미학; visual art; appreciation; aesthetic judgment; emotion appraisal; fMRI; neuroaesthetics
Citation
한국심리학회지: 인지 및 생물, v.27, no.2, pp.231 - 251
Indexed
KCI
Journal Title
한국심리학회지: 인지 및 생물
Volume
27
Number
2
Start Page
231
End Page
251
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/95594
DOI
10.22172/cogbio.2015.27.2.008
ISSN
1226-9654
Abstract
Appreciation of art involves both cognitive and affective processes. However, the two processes and the neural underpinnings of them have not been differentiated clearly in the previous studies of neuroaesthetics. Moreover, aesthetic experience has often been confounded by positive emotional contents in artworks or positive emotion appraisal. Aesthetic appreciation and accompanying neural activity regarding artworks evoking negative emotion have not been studied extensively. In the current work using fMRI, we investigated whether brain areas involved in aesthetic judgment can be distinguished from those involved in emotion appraisal. We also explored neural correlates of artworks judged as beautiful yet inducing sad emotion. Our results identified brain regions differentially involved in aesthetic judgment and emotion appraisal, despite the widely shared network. Specifically, the medial prefrontal lobe showed greater activation for aesthetic judgment, while areas including the middle frontal gyrus, putamen, middle temporal gyrus, caudate nucleus, and precuneus showed greater activation for emotion appraisal. We also found increased neural activity in areas including the insula, anterior cingulate cortex (ACC), pre-, and post-central gyri in association with perceiving and judging “sad but beautiful” artworks. These results suggest that the two core processes in experiencing art are closely related to each other, but not identical, and that beauty and positive emotion do not always go hand in hand.
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