혼종성의 연극화: 데클란 도넬란의 <템페스트> 비평 지평 확장하기
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 전준택 | - |
dc.date.accessioned | 2021-09-05T13:16:05Z | - |
dc.date.available | 2021-09-05T13:16:05Z | - |
dc.date.created | 2021-06-17 | - |
dc.date.issued | 2014 | - |
dc.identifier.issn | 1226-2668 | - |
dc.identifier.uri | https://scholar.korea.ac.kr/handle/2021.sw.korea/99898 | - |
dc.description.abstract | Declan Donnellan’s production of The Tempest has been innovative in its own right in three aspects. First, rather than adopt two of the most familiar themes - the opposition of nature and nurture and colonialism - that almost inevitably underpins modern productions of the play, Donnellan boldly deconstructed dichotomies inherent in these two discourses and drew on the new readings of the dramatic characters. Second, by doing so Donnellan has been able to locate the play at the collision between communism and capitalism, using Shakespeare for his own purposes, not unlike Jan Kott’s adjustment of historical reality to suit contemporary and political ends. Third, though Donnellan’s appropriation is more bitter than Kott, his approach has been justified as he has continued the tradition of political interpretation along with an investment in stage innovation reflecting cleverly chosen postmodern influences and the changes on the political and economic arena. This paper aims to investigate these aspects of his innovation that have not been fully appreciated by major performance criticisms of the production. | - |
dc.language | Korean | - |
dc.language.iso | ko | - |
dc.publisher | 한국셰익스피어학회 | - |
dc.title | 혼종성의 연극화: 데클란 도넬란의 <템페스트> 비평 지평 확장하기 | - |
dc.title.alternative | Theatricalizing Hybridity: Opening up New Horizons in the Criticism of Declan Donnellan’s The Tempest | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 전준택 | - |
dc.identifier.doi | 10.17009/shakes.2014.50.1.005 | - |
dc.identifier.bibliographicCitation | Shakespeare Review, v.50, no.1, pp.109 - 135 | - |
dc.relation.isPartOf | Shakespeare Review | - |
dc.citation.title | Shakespeare Review | - |
dc.citation.volume | 50 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 109 | - |
dc.citation.endPage | 135 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001865485 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 데클란 도넬란 | - |
dc.subject.keywordAuthor | < | - |
dc.subject.keywordAuthor | 템페스트> | - |
dc.subject.keywordAuthor | null | - |
dc.subject.keywordAuthor | 본성/양육 | - |
dc.subject.keywordAuthor | 식민주의/탈식민주의 | - |
dc.subject.keywordAuthor | 공산주의/자본주의 | - |
dc.subject.keywordAuthor | 얀 코트 | - |
dc.subject.keywordAuthor | 포스트 모더니즘 | - |
dc.subject.keywordAuthor | 공연비평 | - |
dc.subject.keywordAuthor | 혼종성 | - |
dc.subject.keywordAuthor | Declan Donnellan | - |
dc.subject.keywordAuthor | The Tempest | - |
dc.subject.keywordAuthor | nature/nurture | - |
dc.subject.keywordAuthor | colonialism/postcolonialism | - |
dc.subject.keywordAuthor | communism/capitalism | - |
dc.subject.keywordAuthor | Jan Kott | - |
dc.subject.keywordAuthor | postmodernism | - |
dc.subject.keywordAuthor | performance criticism | - |
dc.subject.keywordAuthor | hybridity | - |
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