ScholarWorks@Korea University: KIM, Jun hyun

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KIM, Jun hyun (김준현)

College of Liberal Arts (Department of French Language and Literature)

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Tel 02-3290-2103
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사랑:7||번역:7||Marie de France:5||Baudelaire:4||단시:4||Love:4||translation:4||마리 드 프랑스:4||François Villon:4||프랑수아 비용:4||Lais:4||보들레르:3||중세:3||Translation:3||Testament:3||수용사:3||번역문학:3||Kim Eok:2||translation genealogy:2||Troubadour:2||산문시:2||번역계보:2||최남선:2||샤를 도를레앙:2||Charles d’Orléans:2||트루바두르:2||Paris Spleen:2||단장시편:2||Lay:2||수사학:2||유언의 노래:2||다시 쓰기:2||김억:2||Translated Literature:2||중세 시학:2||Middle Ages:2||Prose poems:2||Art of Second Rhetoric:1||Hong Myung－hee:1||홍명희:1||김소월:1||Hanseongsinbo:1||Napoleon’s portrait:1||나폴레옹의 초상:1||역설의 발라드:1||Ballade des contrevérités:1||선녀들의 선물:1||nom:1||바로크 음악:1||Rhétorique musicale:1||기욤 드 마쇼:1||시문작법:1||Art de dictier:1||Medieval French Literature:1||Moyen Âge:1||Choi Namseon:1||translation literature:1||Metamorphosis:1||Bisclavret:1||｢두 정인｣:1||Tristan and Isolde:1||Infidelity:1||마지막 수업:1||Equitan:1||love:1||『한성신보』:1||『고별시』:1||여담:1||translator:1||Raimbaut de Vaqueiras:1||중세 프랑스 문학:1||시적 효과:1||[마리 드 프랑스:1||The Two Lovers:1||이상향:1||기독교:1||Fabliau Cocagne:1||La Dernière Classe:1||Pi Chundeuk:1||피천득:1||Subjectivity:1||Napoleon:1||장 보델:1||Méditation et salut de l'âme:1||l’amour:1||l’art combinatoire:1||Spleen de Paris:1||번역가:1||유증시:1||Poésies diverses:1||Reecriture:1||음악:1||Eustache Deschamps:1||Multilingualism:1||불쌍한 하인리히:1||la lèpre:1||해석]:1||Laüstic:1||Identification:1||유토피아:1||패러디:1||알퐁스 도데:1||주관성:1||Ballad:1||Complex Subject:1||poèmes variés:1||파리의 우울:1||이름:1||Lully:1||Musique Baroque:1||단시집:1||Guigemar:1||나병:1||아미와 아밀:1||변신:1||Ideal landscape:1||플립러닝:1||Choe Namseon:1||Comparison of Korean and Japanese Literature:1||베를렌:1||Medieval Poetics:1||블루아 시연의 발라드:1||복합 주체:1||나도향:1||현진건:1||ethical chaos:1||Maupassant:1||성찰과 구원:1||알랭 샤르티에:1||『유언의 노래』:1||poème en prose:1||The Gifts of the Fairies:1||Rhetoric:1||Poetic effect:1||다중어:1||요넥:1||Yonc:1||동일화:1||Rejection of Choice:1||중세여성:1||Eliduc:1||Medieval woman:1||Christianity:1||Flipped Learning:1||Tolstoy:1||Anna Karenina:1||razos:1||Gaucelm Faidit:1||Verlaine:1||Hyun Jin－geon:1||New East Asian Modern Literature History:1||Kim Sowol:1||시의 위안:1||Guérison par l'écriture:1||구성 기법:1||History of Reception:1||The Flowers of Evil:1||음악수사학:1||몰리에르:1||륄리:1||코메디발레:1||Rhétorique:1||ComédieBallet:1||기주마르:1||Guillaume de Machaut:1||Medieval poetics:1||랭보 드 바케이라스:1||conscience de soi:1||번역 계보:1||라우스틱:1||Interprétation:1||선택의 거부:1||엘리뒥:1||Rewriting:1||Utopia:1||인문고전:1||톨스토이:1||트리스탄과 이졸데:1||불륜:1||베르나르 드 방타두르:1||석명(釋明):1||Symbolism:1||Ballade du concours de Blois:1||발라드:1||Na Do－hyang:1||새로운 동아시아 근대문학사:1||모파상:1||뒤마:1||Dumas:1||나폴레옹:1||Jean Bodel:1||Congés:1||Consolation par le poème:1||Les Dons des fées:1||『악의 꽃』:1||『파리의 우울』:1||Molière:1||자기 인식:1||Le Pauvre Henri:1||Matsura Masayasu:1||[Marie de France:1||Parody:1||파블리오 코카뉴:1||Humanities Classic:1||안나 카레니나:1||Alphonse Daudet:1||vidas:1||상징주의:1||The Dance of Agony:1||제2의수사학:1||ethical choice:1||reception history:1||글쓰기의 치유:1||Alain Chartier:1||la digression:1||traduction:1||Amour:1||외스타슈 데샹:1||Music:1||Ami et Amile:1||『청춘』:1||마쓰우라 마사야스:1||Cheongchoon (Youth):1||Love]:1||비스클라브레:1||한일 비교:1||고셀므 페디:1||전기(傳記):1||Bernard de Ventadour:1||『오뇌의 무도』:1||

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