ScholarWorks@Korea University: Lee, Sang Woo

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Lee, Sang Woo (이상우)

문과대학 (국어국문학과)

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Tel 1978
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오영진:3||youth:2||nationalism:2||Actress:2||Towolhoe:2||여배우:2||Oh Youngjin:2||민족주의:2||family romance:2||신상옥:2||foster/step child:2||이광수:2||conflict between father and his offspring:2||Shin Sangok:2||children:2||신여성:2||노라:2||토월회:2||민중예술론:2||극장주의:2||아나키즘:2||오리엔탈리즘:2||恋愛の思想(Idea of Love):1||메이어홀드:1||s theater:1||China(支那):1||역사극:1||diglossia:1||Western genre:1||fantasy:1||identity:1||동양:1||동양연극:1||Hakjikwang:1||게이주츠자:1||Oh Youngjin:1||bilingual writing:1||mass media:1||기억의 정치학:1||문예영화:1||검열:1||통제:1||Literary Film:1||Censorship:1||Restriction:1||해양:1||Nikanshobo:1||여배우 인식:1||Gindaigekijo:1||Meyerhold:1||anarchism:1||s popularization:1||Fascism:1||파시즘:1||대동아영화권:1||plot of escape and trace:1||각색:1||대중성.:1||만주:1||selforientalizing:1||학지광:1||canon:1||folk ritual:1||군국주의:1||대중 미디어:1||최은희:1||신필름:1||사극 영화:1||Kim Woojin:1||김우진:1||셰익스피어:1||인천:1||Incheon:1||김명순:1||Anarchism:1||theory of theatre&apos:1||Narrative of Yi Dynasty:1||colonial theater:1||locality:1||만주 활극:1||웨스턴 장르:1||orientalism:1||the oriental theatre:1||Korean students association of studying abroad in Tokyo:1||Genre of drama:1||예성좌:1||아시아주의:1||업둥이/의붓자식:1||oceanthemed play:1||자전적 글쓰기:1||Nora:1||동양학 담론:1||the Greater East Asian Film Sphere:1||adaptation:1||판타지:1||정체성:1||동경조선유학생학우회:1||최승만:1||조선순업:1||Colonial Korea Tour:1||Geijutsuza:1||appropriation:1||김옥균:1||재현:1||Choi Eunhee:1||소년:1||school play:1||낭만좌:1||reading experience:1||New Woman:1||Historical Play:1||지나(支那):1||로컬리티:1||popular appeal.:1||도피와 추적의 플롯:1||Manchuria:1||Manchurian action drama:1||Tolstoy:1||정전:1||민속제례의식:1||politics of memory:1||militarism:1||개발동원체제:1||Division System:1||청년:1||학교극:1||Onnagata:1||여형배우:1||윤심덕:1||근대극장:1||해방극장:1||혁명연극:1||Revolutionary Theatre:1||theory of popular arts:1||theatricalism:1||Discourse of Oriental Studies:1||Orientalism:1||이조(李朝)이야기:1||literacy:1||리터러시:1||Yi Kwangsu:1||cultivation:1||performance:1||개척:1||『부활』:1||톨스토이:1||Yeseongza:1||이중어 글쓰기:1||Kim Okgyun:1||representation:1||Developmental Mobilization Regime:1||Monolithic Ideal Logical System:1||Shakespeare:1||독서체험:1||어촌:1||the recognition of actress:1||金明淳(Kim Myeongsun):1||Female Celebrity:1||여성명사:1||Theory of People&apos:1||Kaihogekijo:1||Narrative of Ancient History:1||racial integration:1||gender:1||자기 주변화:1||Yi Kwangsoo:1||Choi Seungman:1||Free love:1||자유연애:1||희곡장르:1||PanAsianism:1||전유:1||분단체제:1||Shin Film:1||순진무구:1||가족 로망스:1||부자갈등:1||Keukyesulyeonguhoe (the Theatre Arts Academy):1||이화여자전문학교:1||Scandal:1||스캔들:1||연애사상:1||新女性(New Woman):1||ノラ(Nora):1||自伝的創作(Autobiographical Writing):1||Yoon Shimdeok:1||Theatricalism:1||연극대중화론:1||고대사이야기:1||식민지 극장:1||다이글로시아:1||민족협화:1||젠더:1||퍼포먼스:1||The Orient:1||the Greater East Asia:1||대동아:1||Resurrection:1||김사량:1||Kim Saryang:1||유일사상체계:1||Historical Film:1||Ewha Women College:1||Nangmanjwa (the Romantic Theatre Group):1||극예술연구회:1||일한서방:1||바다 소재 희곡:1||fishing village:1||

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