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김수영 시의 ‘언어-문자’ 이미지와 ‘에크리튀르’의 정치학A Study on ‘language-letter’ images and politics of ‘écriture’ in Kim, Soo-Yung's poems

Other Titles
A Study on ‘language-letter’ images and politics of ‘écriture’ in Kim, Soo-Yung's poems
Authors
이찬
Issue Date
2012
Publisher
경희대학교(국제캠퍼스) 비교문화연구소
Keywords
Kim Soo-Yung; language; letter; ontological thought; archi-écriture; politics of écriture; 김수영; 언어; 문자; 존재론적 사유; 원초적 글쓰기; 에크리튀르의 정치학
Citation
비교문화연구, v.26, pp.173 - 200
Indexed
KCI
Journal Title
비교문화연구
Volume
26
Start Page
173
End Page
200
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/109873
DOI
10.21049/ccs.2012.26..173
ISSN
1598-0685
Abstract
This paper examines épistémè of écriture and its politics in Kim, Soo-Yung's poems, focusing on ‘language-letter’ images such as “speech”, “language”, “printing type”, “letter”, “brush”, “book” and so on. While the previous papers fail to present the overall framework of analysis on ‘language-écriture’ images and to show political dimensions of discourse analysis, this paper tries to overcome these limitations. It explains images of ‘speech’ and ‘language’ on the basis of Heidegger's ontological thought, and analyzes writing-images such as ‘type’, ‘letters’ using Derrida's concepts of ‘archi-écriture’ and ‘écriture’. It also gives a new name to multiple images of ‘book’ in his poems as ‘politics of écriture’ based on problematic such as Badiou's ‘ethics of truths’ and Derrida's ‘écriture’.
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문화스포츠대학 (문화창의학부)
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