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Textual Voices: Self-Representation and Religious Instructiuon in the Works of the Pearl PoetTextual Voices: Self-Representation and Religious Instructiuon in the Works of the Pearl Poet

Other Titles
Textual Voices: Self-Representation and Religious Instructiuon in the Works of the Pearl Poet
Authors
Michael Foster
Issue Date
2012
Publisher
한국중세근세영문학회
Keywords
Pearl; Patience; Cleanness; Sir Gawain and the Green Knight; Pearl-poet; Gawain-poet; self-deprecation; narrative voice; authority; medieval theology; didactic poetry; religious poetry
Citation
중세르네상스영문학, v.20, no.2, pp.187 - 214
Indexed
KCI
Journal Title
중세르네상스영문학
Volume
20
Number
2
Start Page
187
End Page
214
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/110196
DOI
10.17054/memes.2012.20.2.187
ISSN
1229-0394
Abstract
This paper explores the presence of a narrative voice in the poems preserved in Cotton Nero A.x commonly ascribed to the Pearl-poet. It argues that the poet constructs a series of cohesive themes in the four poems which all inform one another, and that the poet's authority is both implied and asserted by the author's manipulation of narrator personae and use of an absent or silent narrator in Cleanness and Patience. Meanwhile, the intimate narrative voice of Pearl functions to create a sense of shared theological and ideological positionality between audience and narrator, which this paper suggests is a rhetorical move to gain the trust and benevolence of an audience that may be otherwise hostile. Having captured the attention of the audience and made the theological arguments of Cleanness and Patience, the final poem invites the audience to trust in the Pearl-poet by differentiating the authority of texts versus rumors.
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