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Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker

Authors
Lee, Kun Jong
Issue Date
Nov-2010
Publisher
CAMBRIDGE UNIV PRESS
Keywords
interracial relations; american studies; spike lee; chang-rae lee; african american culture; korean american literature; do the right thing; native speaker
Citation
JOURNAL OF AMERICAN STUDIES, v.44, no.4, pp.741 - 757
Indexed
SSCI
AHCI
SCOPUS
Journal Title
JOURNAL OF AMERICAN STUDIES
Volume
44
Number
4
Start Page
741
End Page
757
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/115444
DOI
10.1017/S0021875810000022
ISSN
0021-8758
Abstract
African Americans and Korean Americans have addressed Black Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Ming and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African American film and the Korean American fiction as dialogic responses to the well-publicized strife between Korean American merchants and their African American customers in the late 1980s and early 1990s and as windows into a larger question of African American Korean American relations and racialization in US culture. This study ultimately argues that the dialogue between Spike Lee's film and Chang-rae Lee's novel moves towards a possibility of cross-racial identification and interethnic coalition building.
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