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Cross-Current Contribution : A Study on East Asian Influence on Modern Architecture in EuropeCross-Current Contribution : A Study on East Asian Influence on Modern Architecture in Europe

Other Titles
Cross-Current Contribution : A Study on East Asian Influence on Modern Architecture in Europe
Authors
김현섭
Issue Date
2009
Publisher
대한건축학회
Keywords
Modern Architecture; Europe; East Asia; Influence; Orientalism
Citation
Architectural Research, v.11, no.2, pp.9 - 18
Indexed
KCI
Journal Title
Architectural Research
Volume
11
Number
2
Start Page
9
End Page
18
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/121365
ISSN
1229-6163
Abstract
This research started from the premise that East Asia – China, Korea and Japan – played a remarkable role in the development of modern architecture. In this study, attention is paid to the lack of a synthetic research about the influence of East Asia on European modernism as a counterpart to its influence on American modernism. Thus, the intention of this paper is to construct an integrated discourse on the East Asian contribution to European modern architecture. By analyzing recently published/presented articles on the related subjects, this study suggests how European modernists encountered the East, what attracted them to the East, and how they applied East Asian aesthetics in their designs. While a number of architects adopted East Asian formal elements directly, at times superficially, others extracted the underlying principles. As a whole, this analysis offers insights at several levels. First, it provides a balance to the view of the East Asian influence on modern architecture by providing an investigation into its influence on European modernism as a counterpart to its influence on American modernism. Second, the multi-faceted nature of modern architecture is further illuminated in this study. Third, an important example of “positive-Orientalism” is provided, which contrasts with the rather negative image implied by E. Said’s ‘Orientalism’. In conclusion, this paper provides a critical assessment of the fundamental motive of European modernists’ adoption of East Asian aesthetics.
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