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미국 주류 게이/퀴어 드라마 공연 전략 비교연구: 맥낼리, 쿠쉬너, 라이트를 중심으로Gay/Queer Performance Strategy: In Case of McNally, Kushner, and Wright

Other Titles
Gay/Queer Performance Strategy: In Case of McNally, Kushner, and Wright
Authors
전준택
Issue Date
2009
Publisher
한국현대영미드라마학회
Keywords
gay/queer; feminism; McNally; Lips Together; Teeth Apart; Kushner; Angels in America; Wright; I Am My Own Wife; 게이/퀴어; 페미니즘; 맥낼리; 『입술은 붙이고; 이빨은 떼고』; 쿠쉬너; 『미국의 천사들』; 라이트; 『내 부인은 나』
Citation
현대영미드라마, v.22, no.1, pp.139 - 169
Indexed
KCI
Journal Title
현대영미드라마
Volume
22
Number
1
Start Page
139
End Page
169
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/121550
ISSN
1226-3397
Abstract
Jill Dolan broke new ground in extending the feminist analysis of representation to the theater, offering a provocative critical study that challenges our assumptions about the structure of representation. In a similar vein this study extends the gay/queer analysis of representation to representative American gay drama—Terrence McNally’s Lips Together, Teeth Apart, Tony Kushner's Angels in America, and Doug Wright's I Am My Own Wife. In doing so this study defines gay/queer drama analysing the importance of multi-role playing strategy. A gay drama, Teeth Apart is similar to bourgeois feminist drama in its presentation of “a slice of life” realism perpetuating degrading and static homosexual/heterosexual stereotypes. Like materialist feminist approach Kushner’s Angels in America is Brechtian but a spectrum of gender becomes available only to male characters. Wright’s I Am My Own Wife is a queer drama about the role playing and ephemeral nature of truth reminding cultural feminist Megan Terry’s transformation method. Wright’s male transvestite homosexual hero finally deconstructs sexuality binary emphasizing genderqueer.
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