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리타 더브의 흑인성과 보편성Rita Dove’s Blackness and Universality

Other Titles
Rita Dove’s Blackness and Universality
Authors
김은성
Issue Date
2008
Publisher
한국현대영미시학회
Keywords
Rita Dove; Blackness; Universality; New Black Aesthetics; History; 리타 더브; 흑인성; 보편성; 신 흑인미학; 역사
Citation
현대영미시연구, v.14, no.2, pp.31 - 52
Indexed
KCI
Journal Title
현대영미시연구
Volume
14
Number
2
Start Page
31
End Page
52
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/125290
ISSN
1598-138X
Abstract
With her literary honors and achievements including many grants and fellowships, and the Pulitzer Prize for poetry, Rita Dove has established herself as a major figure in contemporary American poetry. Dove's poetry explores the history of the general human experience as well as the African-American experience. Dove's distinguishing feature is her ability to surrender historical facts to greater truth. Thus, she discovers meanings of particular history, from which universal meanings are explored. That is, in her works, the particularities are examined in terms of the universalities and vice versa. Dove has been praised for her international aesthetic vision. Although she is an African American female writer, she refuses to define herself only in terms of blackness. With strong European backgrounds, she has pursued the more vast world which is not restricted to only blackness for her poetic subject matter, theme, and characters. Some of her poems, therefore, are written under international settings and history, and even the titles of the poems imply the universalities of her works. Some of her poems of course contain the black history and experience which underline her overall poetics. She, however, does not allow one story to be told. She combines private and public history, particular and universal history, which results from her awareness of both her racial history and human history. By appropriating the both histories, Dove develops a more inclusive voice to tell two stories of the world.
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