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도시 맥락적 관점에서 공공 공연예술시설의 접근성에 관한 연구- 2000년대 이후 건립된 국내·외 사례를 중심으로 -A Study on the Accessibility of Performing Arts Center in the Urban Context - Focus on the Completed works since 2000 -

Other Titles
A Study on the Accessibility of Performing Arts Center in the Urban Context - Focus on the Completed works since 2000 -
Authors
김희근고영선여영호
Issue Date
2018
Publisher
한국문화공간건축학회
Keywords
공공건축; 공연예술시설; 도시적 맥락; 접근성; Public architecture; Performing arts center; Urban context; Accessibility
Citation
한국문화공간건축학회논문집, no.64, pp.49 - 58
Indexed
KCI
Journal Title
한국문화공간건축학회논문집
Number
64
Start Page
49
End Page
58
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/131948
ISSN
1738-818X
Abstract
Since the 1990s, many citizens have been interested in performing arts and it has continued. Therefore, local governments began to build performing arts centers that citizens needed. However, the performing arts center as public architecture is negatively assessed as being open to some citizens rather than being used as opened public architecture for all citizens in these days. The reason for this is that the performing arts centers as public architecture have issues such as location, accessibility, and publicness. Therefore, the purpose of this study was to establish the roles and directions of performing arts center as public buildings through a research of the accessibility of performing arts center. In order to achieve this goal, the location, connectivity, and openness of performing arts center were analyzed in the urban context of domestic and international cases. As a result of the study, the overwhelming shape of a single building may be functionally reasonable, but it is difficult for citizens to recognize it as a public space in terms of its scale. Second, it is an elevation that emphasizes visual contact by using transparent materials such as glass and polyester. Third, as a public architecture, it is to create an open outdoor space to emphasize the public. As a result, we hope that performing arts center will have value that can be used as a ordinary space for citizens and will be utilized as basic materials to gain access to public performance art centers without discrimination.
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