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≪정무문(精武門)≫ 관련 영화와 동아시아의 국가 관계The Study of “Fist of Fury” Similar Movies and the Nature of Relationships of the East Asian Countries

Other Titles
The Study of “Fist of Fury” Similar Movies and the Nature of Relationships of the East Asian Countries
Authors
유경철
Issue Date
2013
Publisher
고려대학교 중국학연구소
Keywords
Fist of Fury; Bruce Lee; Fist of Legend; Let Li; Legend of the Fist; Donnie Yen; Chen Zhen; Senkaku; Diaoyu islang; Huo Yuanjia
Citation
중국학논총, no.40, pp.177 - 212
Indexed
KCI
Journal Title
중국학논총
Number
40
Start Page
177
End Page
212
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/133791
DOI
10.26585/chlab.2013..40.008
ISSN
1229-3806
Abstract
Bruce Lee’s “Fist of Fury” is one of the bar settlers in martial arts movie history. The movie has been truly meaningful not only to Chinese speaking people but also to the East Asians including Koreans. In the current study,through the analysis of “Fist of Fury,” and “Fist of Fury” similar movies including its sequels, imitations and remakes, how those movies mirror the nature of relationships among the three East Asian countries (China, Korea,and Japan) has been discussed.“Fist of Fury” was filmed when Taiwanese and Hong Kongers had anti-Japanese sentiment due to Senkaku/Diaoyu island dispute. Because the movie was filmed vividly portraying the anti-Japanese sentiment throughout the entire story, Bruce Lee starred in the movie became a national hero. The current study indicates that because the legendary movie successfully read and reflected the contemporary film viewers’ sentiments in East Asia, it could be such an influential work. The study further illustrates that since the “Fist of Fury” similar movies understood the importance of contemporary viewers’ state, films attempted to echo different contemporary viewers reflecting the nature of relationships of the East Asian countries.
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