루쉰과 판화예술 – 시대의 모럴과 미학

Abstract

This paper examines the meaning of Lu Xun's print movement from the viewpoint of the times and morality. Lu Xun's literature tried to raise the spiritual level of the Chinese and Chinese culture by exposing the ills of the times. Lu Xun's passion for printmaking is the same. Printmaking was a popular art form at the time and attracted the attention of young and progressive artists. Lu Xun introduced a variety of Western print art for the technological and artistic growth of young artists, while also introducing Chinese printmaking abroad. Lu Xun's passion for printmaking in the twilight of his life demands the enhancement of the artistic and historical value of printmaking. First of all, Lu Xun affirms the value of printmaking in terms of the economic feasibility of production and distribution. It is that more people can freely access prints in their daily life, and Lu Xun argues that artistic and moral values for awakening consciousness should be included in it. Printmaking, which is easy to produce and distribute, makes Lu Xun a handyman, but it also serves as a link to young and new artists. Through economical printmaking in production and dissemination, Lu Xun ultimately tried to raise the awareness of Chinese people and critical awareness of Chinese society. Lu Xun's literary center is to create literature that the public understands well based on the understanding of the public. The point is, first of all, what is the pressing problem of the public. However, as important as the public's understanding of the pressing problem is the problem of the way it is expressed. It is clear that the artist and the public urgently need to realize the artistic realization of materials that match the circumstances of the time, such as the people's reports of difficulties or the war against Japan. As one of the means of economically and artistically expressing the pressing problems of the public, Lu Xun focused on printmaking. In other words, it can be said that Lu Xun's print movement embodies the artistic, historical, moral, and political aspects of China at the time.