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작가의 권위에 도전하면서 아동문학 텍스트 읽기:『신데렐라』를 중심으로Challenging the Textual Authority of Children’s Literature: Reading Cinderella

Other Titles
Challenging the Textual Authority of Children’s Literature: Reading Cinderella
Authors
최석무
Issue Date
2013
Publisher
한국영미문학교육학회
Keywords
크리티컬 리터러시; 기능적 리터러시; 아동문학; 신데렐라; 페로; 디즈니; Critical Literacy; functional literacy; children’s literature; Cinderella; Charles Perrault; Disney
Citation
영미문학교육, v.17, no.3, pp.247 - 263
Indexed
KCI
Journal Title
영미문학교육
Volume
17
Number
3
Start Page
247
End Page
263
URI
https://scholar.korea.ac.kr/handle/2021.sw.korea/104826
ISSN
1229-2249
Abstract
When functional literacy is emphasized in reading a text, the relationship between the writer and reader can be understood in terms of power: readers, as powerless, are supposed to take the writer’s message in the text for granted. In a literary work, the writer implicitly reveals the message he or she intends to convey in the text by employing literary devices such as a title, an epigraph, a story introduction, illustrations, and book reviews. When we encourage students to follow those guideline on reading offered by the writer, the literacy training is likely to disempower rather than empower them. When students are engaged in critical literacy, they are likely to disrupt the typical power relationship between the writer and reader. They detect and challenge the writer’s messages in the text, investigating them from multiple perspectives. In such a process, the power of the writer ultimately can be challenged when his or her text turns out to be illogical or non-commonsensical. From a critical literacy stance, Cinderella can be understood as a text with many parts that are neither logical nor commonsensical. In the animated version of the story, most of those parts were reconstructed, and thus sound more logical and commonsensical. When we teach a literary work for children, we can encourage students to challenge the authority of the writer by finding illogical or non-commonsensical parts in the text. Also, when leading them to rewrite those parts, we need to empower them. When they become writers themselves, the typical power relationship between the writer and reader ultimately can be challenged.
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